"Then
and Now is my effort," explains Bob Stewart about his debut
Postcards release, "to bring the tuba back into the modern ensemble
and redefine both the repertoire and the techniques needed to accomplish
this. The tuba was phased out of most jazz ensembles around 1923, with
the introduction of the walking bass. As a result, it never made all the
musical steps that have taken place since the 1920's. On this recording,
I bridge the gap from then to now."
Stewart accomplishes
this through the use of four different ensembles: with Taj Mahal (and
French horn players Fred Griffen and Marshall Sealy); with pianist Dave
Burrell and drummer Aaron Scott; with a brass ensemble (John Clark on
French horn, Stanton Davis on trumpet, Steve Turre on trombone, James
Zollar on trumpet, and Buddy Williams on drums); and with a jazz quintet
(Jerome Harris on guitar, Graham Haynes on cornet and trumpet, Carlos
Ward on alto, and Buddy Williams on drums). With these musical cohorts,
Stewart not only showcases the tuba's musical growth but also traces the
migration and evolution of the music we know today as jazz from the west
coast of Africa, through the Caribbean, into New Orleans, up the
Mississippi to Chicago, and east to New York -- and today.
Stewart got the idea of
bringing the tuba into the modern repertoire during his first gig after
receiving a Bachelors of Music Education from the Philadelphia College
of the Performing Arts -- while playing traditional New Orleans music
with fellow tubist Howard Johnson at Your Father's Mustache in New York.
Since then, Stewart has toured and recorded throughout the United
States, Europe, and the Far East with such artists as Charles Mingus,
Gil Evans, Carla Bley, David Murray, Taj Mahal, Dizzy Gillespie, McCoy
Tyner, Arthur Blythe, Freddie Hubbard, Don Cherry, and Charlie Haden, as
well as with the Sam Rivers Big Band and the Globe Unity Orchestra (a
European group). Stewart has also earned a Masters in Education from
Lehman College Graduate School, part of the City University of New York.
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