About Julian Priester
Priester
traces his musical beginnings to his high school band instructor, Walter Henri
Dyett of Chicago's DuSable High. "Walter was an extremely influential
person in the Chicago educational system from the '30s through the '60s,"
notes Priester, "nurturing such people as Johnny Griffin, Clifford Jordan,
Richard Davis, Benny Green, and many, many more, in addition to me. He sowed the
seeds and gave us a positive approach to life, including the study of music, as
well as the discipline we needed."
Following
graduation, Priester honed his craft through study groups with other Chicago
musicans (Charles Davis among them), through listening, and, most influentially,
through participation in jam sessions, a tradition that was then alive and well
in Chicago clubs. "These were very inspirational," he says.
"Giants of jazz like Clifford Brown and Max Roach would come to town and
visit the clubs where local artists were playing, so we had the opportunity to
play with them -- I was on the bandstand with Sonny Stitt when I was only 17
years old -- and this really played a large role in developing my
improvisational skills."
This
kind of experience prepared Priester to join Sun Ra's orchestra for several
years at an early age, before leaving Chicago in 1956 to tour with Lionel
Hampton. From then on, Priester has played with a virtual who's who of jazz
geniuses, including significant associations with Max Roach, Art Blakey's Jazz
Messengers, Herbie Hancock, Dave Holland, Sun Ra (again, in the late '80s),
Jerry Granelli, and Reggie Workman. He has also performed and/or recorded with
countless others, including Dinah Washington, Johnny Griffin, Blue Mitchell,
"Philly" Joe Jones, Lloyd Price, Ray Charles, Thad Jones, the Mel
Lewis Orchestra, McCoy Tyner, Donald Byrd, Clifford Jordan, Lee Morgan, Stanley
Turrentine, Duke Pearson, the Duke Ellington Orchestra, Marine Intrusion, the
Composers and Improvisers Orchestra, Lester Bowie, and Jane Ira Bloom; for
Postcards, he has performed not only on the Reggie Workman CDs but also on Ralph
Simon's Music for the Millennium.
In
addition to this coleader recording with Rivers, Priester has recorded four
albums as a leader, starting in 1958 with Keep
Swinging (Riverside) and continuing with Spiritsville
(Jazzland) and two ECM recordings, Love
Love and Polarization. Since 1979,
Priester has been on the music faculty of Cornish College for the Arts in
Seattle, where he teaches jazz composition, improvisation, skills (such as sight-reading),
performance, and history. He continues to actively play, record, and compose.