You and I: News Release
VOCALIST MARY PEARSON MAKES ARKADIA JAZZ DEBUT WITH YOU AND I
* A collection of duet ballads featuring Pearson's pairings with
Fred Hersch, Harvie Swartz, Lynne Arriale, Steve Davis, David Lahm and John
Hart *
In the vocal jazz tradition, there are many voices but few who really have a
deep impact. So when a singer offers something unique, it is unmistakable.
You hear it right away. "You can't imagine how inundated a new label is by
players and their projects," says Bob Karcy, CEO and founder of the Arkadia
label. "But Mary stood out. It wasn't just her beautiful voice; there are
many, many beautiful voices. But her voice is distinctive and instantly
recognizable. You hear a few notes and say, 'That's Mary Pearson.'"
Pearson's singular approach to ballads is evident from the opening tune on
You and I. From the first phrases of "Lazy Afternoon," Pearson's rich,
creamy tone holds its own, even when moored only by Steve Davis' loose drums.
Her commanding voice carries throughout the album with the kind of
"luxuriant style and beauty of expression" JazzTimes critic Nancy
Ann Lee to suggest "Pearson's name should become a household word." As WBGO's Michael Bourne,
host of the popular Singers Unlimited series, writes in his liner notes, "the
whole album feels as if its one continuous (and beautiful) ballad . . . a
seamless tapestry of romance."
The singer's surety of tone and intimate style of delivery are the product of
a lifetime of singing experience. "I've sung all my life," Pearson says. "But
I knew I was a jazz singer about 25 years ago when I heard some great guy
singing in a club in Chicago and I thought... yeah, that's what I do. My
first jazz gig was at the Surfmaid on Bleecker Street, in the late seventies.
My songwriting was becoming more prolific around that time and I formed my
own jazz band. Then in 1984, I started to learn how to play piano and
practiced furiously for several years. As a singer/piano player, I made
my first quarter -- literally -- playing on the street the summer of '85. I
got my first indoor gig in '86 and have done nothing but music since."
On You and I, Pearson's sound is marked by self-assurance: she'll suggest her
intentions with the innuendo of a phrase before softening into her light
vibrato on a sustained diminuendo. And unlike some singers, Pearson leaves
enough space to showcase her partners' considerable skills. Fred Hersch's
piano swings alongside Pearson's rhythmic vocals on "Take Five"; John Hart's
light guitar strummings are the perfect complement to Pearson's softened tone
on "What Are You Doing the Rest of Your Life?" When she pairs up with
bassist Harvie Swartz for the Gershwin classic "How Long Has This Been Going
On?," the vocalist is confident enough to leave behind the comfort of chords
as she bends notes to match Swartz's twisting runs-without ever losing her
hold on the melody.
According to Pearson, an array of singers from the pop and jazz worlds have
combined to inspire her adaptable style: "Some of the loves of my life have
been Sammy Davis, Jr., Barbara Streisand, and Johnny Mathis; Nina Simone,
Joni Mitchell, and James Taylor; and of course, Ella, Sarah, Billie, Dinah,
and Carmen."
An exclusive long-term contract with Arkadia Records makes Pearson the first
living vocalist signed to the independent label. But she will be in good
company: Arkadia's associate label, Arkadia Chansons, includes the recordings
of departed divas like Josephine Baker, Marlene Dietrich, and Edith Piaf in
its catalog. "It's staggering to think I'm being added to this catalog of
legends," says Pearson.
Such humility only becomes a singer who employs the kind of sensibility that
jazz critic Ira Gitler recognized as a "fine tone, presence, and delivery
with a sound and style all her own." Pearson's great respect for the lyric is
exceptional enough to make an old standard like "Somewhere Over the Rainbow"
distinctive-Sam Arlen, the son of "Rainbow" composer Harold Arlen, called her
rendition "a wonderful version of a wonderful song." Throughout You and I,
Pearson imbues the best of our popular songs with a range of emotional
colors, taking them to new heights of expression.
Mary Pearson has performed at numerous jazz venues including Fat Tuesday's
restaurant, Gramercy Park Hotel, The Garage, Metronome, and a long run at
Cleopatra's Needle. As a big band singer, she was presented in concert with
Diva: No Man's Band at St. Peter's Jazz Ministry in March '98, a show which
included four generations of jazz women. Pearson was the featured vocalist
with George Gee and his Make Believe Ballroom Orchestra at Swing46 throughout
January '99. Ms. Pearson's first recording, "Thirteen", an album of her own
tunes, features Art Labriola, Bruce Ditmas, and Claire Daly. Mary is known
for her thematic programs she performs in more than 200 shows yearly for
seniors in centers and nursing facilities. Pearson studied piano with Barry
Harris, Mario Serio, and Labriola.
A full-service label started in 1997 by Bob Karcy, Arkadia Jazz has earned
four Grammy nominations (the most of any independent label in the jazz
category) and wide acclaim as 'The Artists' Choice.' "Arkadia is a new jazz
label whose recordings to date have been meticulous, high-quality productions
with focus and purpose." - Thomas Conrad, Stereophile. The label has released
CDs by Billy Taylor, David Liebman, Joanne Brackeen, Benny Golson, Nova Bossa
Nova, Pe De Boi, Moscow Sax Quintet, Kenny Drew, Jr., and David Lahm, among
others. In June 1999, Arkadia acquired the esteemed Postcards label.
Arkadia Jazz is a label of Arkadia Entertainment, a natural extension of
V.I.E.W. Video, founded by Karcy 16 years ago. V.I.E.W. is widely
acknowledged to be the premiere home video producer and label in jazz,
performing arts (opera, dance and classical music) and special interest
(documentary, parenting, sports, health & fitness) with a catalog in excess
of 200 titles that have been honored with over 100 prestigious international
awards.